Life in the 21st century just keeps getting faster.
From internet connections to intercity travel, from fast food to instant
fashion on the high street, we are obsessed with speed. And hand in hand with
speed, goes novelty. The demand for the new is insatiable. As has been often
stated, this is becoming increasingly unsustainable, particularly with the vast
increase in wealth and demand in countries from China to Brazil. There are signs
however, that people are considering alternatives to the mass consumerism we
have all grown so used to. In the food industry for example, organisations such
as the Slow Food Movement, are promoting the idea of locally sourced produce,
and seasonal eating, ie: not eating strawberries in November, when they will
either be far from local, or grown intensively in artificial conditions.
Meanwhile in the fashion world, vintage clothing, a very old form of recycling,
has become a huge trend, and is the very antithesis of cheap disposable fashion
so prevalent on the high street. Made to measure is another area that one might
have assumed, with the exception of Savile Row, had died out generations past.
Although it may sound like an extravagant option, a garment made this way can
last for years, is likely to become a permanent part of a wardrobe, and is
probably much better made than off-the-peg equivalents.
In Cooper's Yard, which we have visited before, Catherine Shaw has been
running her bespoke dress making business since 2005. Wittily named Allbone
& Trimit, Catherine wanted a name that was memorable, but also with an air
of solidity and permanence, perhaps evoking the name of a trusted old firm of
solicitors. Catherine arrived in South London from Manchester, when she
enrolled on the theatre design course at Croydon College of Art. After
graduating, she immediately embarked on a career in costume design, working for
various theatre companies including the English National Opera and the
Australian Opera. As a sideline, Catherine began making wedding dresses for
friends and colleagues, and to this day, wedding dresses have become one of her
staples. But don't go to Catherine if your desire is for the conventional and
white. Her creations are usually anything but white, and are designed to be
adaptable so as to be a permanent part of a woman's wardrobe rather than a one
day wonder. Individuality is key to Catherine's business. Rather than slavishly
following trends, inspiration for a new garment may come from a found scrap of
fabric or researching historical precedent.
 |
Catherine working on an outfit for the grandmother of a bride. |
 |
Containers of fabric cuttings. Once they have no further use, scraps are sent to schools, and even to recycling facilities where they are converted into compost. |
 |
The inspiration board includes Catherine's parents' and grandparents' wedding photos. |
Happily the day of the shoot coincided with a
particularly interesting client fitting. The dress in question was a historical
recreation, one of a pair Catherine was making for Robyn Bramzell and Kate
Foy-Taysum of Bramfoy's - Purveyors of Living History. The girls provide colourful
guided tours of London in the guise of 18th century ladies of somewhat ill
repute.
 |
Robyn Bramzell being laced into her corset. |
As a member of the Chamber of Commerce, and a big
supporter of the various local campaigns, Catherine is another Crystal Palace
enthusiast, whose life and creativity is woven into the very fabric of the
Triangle.
The Overspill
4 Cooper's Yard
07764 196284