And those years have seen tastes change hugely according to Glyn. They used to do a roaring trade in all sorts of antiquarian prints, but then in the 90s that all petered out with the fashion for modernism, minimalism, and all things Ikea. The framing side of the business is now the mainstay. Years ago there used to be another framer's on Church Road, and when he retired, Glyn sensibly bought up his stock. In this age of an economy dominated by services, and the internet, it's encouraging to find manufacturers thriving in our midst, but despite all the online competition, you still can't beat the personal service and care on offer from an old-fashioned shop. The business doesn't just rely on locals with one-off framing requirements, I was impressed to discover that The Picture Palace has framed whole exhibitions at the V&A, and more locally at Dulwich Picture Gallery, as well as being contracted to supply all the Met Police's framed commendation certificates. Among their more unusual commissions, were the framing of a pair of Lawrence Olivier's tights, and an Andy Warhol print purportedly worth £100,000. They even did some framing for comedian, Charlie Drake, who lived out his days on Farquhar Road. He was apparently a bit of a sculptor, and some of his pieces were sold at The Picture Palace.
In addition to pictures and framing, Glyn also sells a wide variety of furniture and knick-knacks found on far flung trips across Europe, from southern Spain to the Ukraine, and I was completely taken by surprise to discover that the gallery extends up the stairs to first, second, and third floor of the building. On and on it goes, with something for everyone. Among the nudes, and landscapes, there are pieces in midcentury and art deco style, but perhaps the oddest single item is the portrait of a certain, instantly recognisable soap star.
Through the ups and downs of the last thirty-something years, Glyn has seen plenty of changes on Westow Street, not least when most of the other side of the road was swept away to build the supermarket. Through most of that period, Crystal Palace has been described as "up and coming", but little was done to support that by the local authorities. For example, Croydon Council, which owned many of the commercial properties on the Triangle, only offered leases with a six month break clause, which discouraged anyone from investing in and refurbishing buildings. This no longer being the case, has helped the area to renew itself. The Picture Palace itself has recently made some changes too, opening up the ground floor and making it more inviting. Perhaps as a result of that, Glyn has noticed increasing numbers of younger clientele coming through his door, and they're even interested in buying prints again.
|The back office and workshop|
|Mark's brother Dave, looks after the workshop, and does the mouldings and glass cutting.|
|Recently acquired prints from the Ukraine|
|Wood cutting workshop on the first floor|
|1920s tickets to events in the Crystal Palace|
|An even older local paper, also found in the former print shop when Glyn moved in.|
|Glyn Peacock & Mark Besswick|
65 Westow Street
020 8771 1966